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exasperated-viewer-on-air:

Iran do Espírito Santo - Aside I, 2013
laminated glass
258.3 x 470 x 30 cm

exasperated-viewer-on-air:

Iran do Espírito Santo - Aside I, 2013

laminated glass

258.3 x 470 x 30 cm

truneet:

Garth Lenz

truneet:

Garth Lenz

Yoshiki Hase

Yoshiki Hase

rob-art:

Rosy Keyser

rob-art:

Rosy Keyser

Naruki Oshima - Reflections-0106, 2006

Naruki Oshima - Reflections-0106, 2006

Vanessa Beecroft - Vb62.018.nt Santa Maria dello Spasimo, Palermo, Italy, 2008
Live models; digital c-print
Vanessa Beecroft’s work is largely performance-based, often featuring female models as living art objects that exist somewhere between figure and object, static and dynamic. Much of Beecroft’s work is informed by her personal struggle with an eating disorder and she consistently explores issues of body image and femininity in contemporary culture. Beecroft’s highly choreographed performance works examine what constitutes the perfect body, as well as the role of context in determining the intricate relationship between viewer and viewed. In her 2011 performance VB67, for example, nude female models were assembled among marble and plaster sculptures, subverting the traditional art viewing experience while emphasizing both the affinities and the stark differences between the living women and the sculptures.

Vanessa Beecroft - Vb62.018.nt Santa Maria dello Spasimo, Palermo, Italy, 2008

Live models; digital c-print

Vanessa Beecroft’s work is largely performance-based, often featuring female models as living art objects that exist somewhere between figure and object, static and dynamic. Much of Beecroft’s work is informed by her personal struggle with an eating disorder and she consistently explores issues of body image and femininity in contemporary culture. Beecroft’s highly choreographed performance works examine what constitutes the perfect body, as well as the role of context in determining the intricate relationship between viewer and viewed. In her 2011 performance VB67, for example, nude female models were assembled among marble and plaster sculptures, subverting the traditional art viewing experience while emphasizing both the affinities and the stark differences between the living women and the sculptures.

Chris Iseri - Notes 18, 2014

Chris Iseri - Notes 18, 2014

Joachim Koester - From the Secret Garden of Sleep 03, 2008
Silver gelatin print

Joachim Koester - From the Secret Garden of Sleep 03, 2008

Silver gelatin print

Linda Matalon - Untitled, 2010
Wax and graphite on paper

Linda Matalon - Untitled, 2010

Wax and graphite on paper

Lauren Seiden - Untitled #2, 2014
Graphite on paper

Lauren Seiden - Untitled #2, 2014

Graphite on paper